Share the Spople Procreate Brush Set: Color Painting, Line Art, and Black & White Comic Brush Set

Through the shared set of images, it can be seen that this brush set does not focus on just one type of stroke, but is divided into several different usage groups such as versatile watercolor brushes, inking brushes, marker texture brushes, blending brushes, sketching brushes, and brushes specialized for black and white comics.

The most notable point of this brush set lies in the fairly natural feel of the strokes, suitable for the drawing process from sketching, blocking in, coloring, detailing, to finishing the artwork. Some brushes feel soft, easy to lay down color and create gradients; while the inking brushes lean towards elegance, with clear pressure sensitivity, suitable for drawing hair, eyes, character outlines, and small details. For those looking for a Procreate brush set that can be used long-term for both color and black and white artwork, Spople is a brushset very worth saving and trying out.

Further analysis of the content in the images

Brush set overview

Looking at all 3 images, this brush set is quite clearly divided according to each drawing stage:

• Coloring and base filling brushes: suitable for watercolor paintings, character art, floral backgrounds, soft scenery.

• Inking brushes: used for lineart, detailing hair, detailing eyes, character outlines.

• Texture brushes: used to add material, create a marker pen feel or light texture.

• Sketch insertion: supports composition layout, quick sketching, drawing black and white comics.

• Comic/manga scenes: suitable for black and white strokes, hatching, hair shadows, eye shadows, and comic effects.

The good point is that the brush set does not follow the "one brush does it all" style, but rather resembles a more complete drawing process: sketch → ink → color → blend → add texture → finish details.

Brush 1: Versatile watercolor brush

This seems to be the most used brush in the set, with the image even noting that about 80% of the color painting is completed with this brush. The brush stroke is soft, has a slight spread, and the brush tip fades out, making it very suitable for coloring skin, hair, eyes, clothing, and even simple background areas.

This brush can be used quite flexibly: for coloring, soft inking, and handling initial blocking stages. For character illustrators, this is a "universal" type of brush because it's not too difficult to control while still creating a hand-drawn painting feel.

Brush 2: Fine inking brush

Brush 2 leans towards lineart, with a sharp tip and quite a smooth glide. In the image, this brush is used for character sketching, especially hair, eyes, accessories, and small details.

The advantage of this type of brush is that it creates a light stroke feel, not too rough. With good hand pressure control, the strokes can be very soft and rhythmic. This brush suits anime, manhua styles, cute character art, or paintings with many decorative details.

Brush 3: Marker texture pen

Brush 3 has a more noticeable grain texture, looking like a type of marker or texture brush. This is not the type of brush used for main inking, but is suitable for handling backgrounds, creating shading areas, adding material to the painting, or making the scene less flat.

In the image, this brush is suggested for use on backgrounds. For illustrations, this type of texture brush is very useful because just a few light layers give the background a sense of "substance," not feeling empty or too clean.

Brush 4: Blending brush

Brush 4 is a blending brush, used to mix colors and soften transitions. The test strokes in the image show the brush can smoothly pull colors, creating light spread marks, suitable for handling flowers, hair, blush, lighting, or color areas needing soft transitions.

When combined with the versatile watercolor brush, this brush can help make the painting softer, especially for paintings leaning towards pastel colors, clear colors, feminine art, or illustrations with many flowers and leaves.

Brush 5: Sea Monster inking brush

This is a beautiful inking brush but seems not too easy to use right from the start. The image notes the disadvantage that if you are not used to it, the strokes can be stiff or forced. This is quite true for many lineart brushes with strong pressure sensitivity: if hand pressure is not steady, the strokes can easily break rhythm or be too sharp.

However, once you get used to it, this brush is very suitable for drawing finished lineart, detailing hair, eyes, clothing outlines, and stroke segments requiring high sharpness.

Brush 6: Black and white comic brush

Brush 6 is introduced as being for black and white comics. The brush stroke feels quite "hand-drawn," not too mechanical, suitable for quick sketching, drawing hair masses, auxiliary lines, and black and white effects.

This is a type of brush suitable for those who like drawing manga, comics, storyboards, or sketching characters in a black and white style. The strength is that the strokes feel natural, not too smooth like some default digital brushes.

Brush 7: Pencil sketching brush

Brush 7 leans towards sketching, blocking in, and finishing black and white artwork. The image mentions that this brush is used a lot for black and white drawings, especially for small sketches and details.

The brush stroke feels like a digital pencil, suitable for initial sketching, building light shading, suggesting volume, detailing eyes, or creating auxiliary lines before going for clean lineart.